Dressing and Fashion Over 60 Youtube

Costume and style in the 1960s

Way of the 1960s featured a number of diverse trends. Information technology was a decade that broke many fashion traditions, mirroring social movements during the time. Around the middle of the decade, fashions arising from modest pockets of immature people in a few urban centers received large amounts of media publicity, and began to heavily influence both the haute couture of elite designers and the mass-market manufacturers. Examples include the mini skirt, culottes, go-get boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC apparel.

Mary Quant popularized the mini skirt, and Jackie Kennedy introduced the pillbox hat;^[1] both became extremely popular. False eyelashes were worn by women throughout the 1960s. Hairstyles were a diverseness of lengths and styles.^[2] Psychedelic prints, neon colors, and mismatched patterns were in style.^[3]

In the early-to-mid 1960s, London "Modernists" known equally Mods influenced male mode in Britain.^[iv] Designers were producing clothing more suitable for young adults, which led to an increase in involvement and sales.^[v] In the late 1960s, the hippie movement also exerted a potent influence on women's clothing styles, including bell-bottom jeans, tie-dye and batik fabrics, likewise as paisley prints.

Women's fashion [edit]

Early 1960s (1960–1962) [edit]

Loftier style [edit]

American fashions in the early years of the decade reflected the elegance of the First Lady, Jacqueline Kennedy. In addition to tailored skirts, women wore stiletto heel shoes and suits with short indigestible jackets, and oversized buttons. Simple, geometric dresses, known as shifts, were also in mode. For evening vesture, full-skirted evening gowns were worn; these often had low necklines and shut-plumbing equipment waists. For casual wear, capri trousers were the fashion for women and girls.^{[ citation needed ]}

Bikini [edit]

The bikini, named after the nuclear test site on Bikini Atoll, was invented in France in 1946 but struggled to proceeds acceptance in the mass-marketplace during the 1950s, especially in America. The breakthrough came in 1963, after rather large versions featured in the surprise hit teen moving-picture show Beach Party, which launched the Beach party film genre.

The rise of trousers for women [edit]

The 1960s were an age of fashion innovation for women. The early 1960s gave birth to drainpipe jeans and capri pants, which were worn by Audrey Hepburn.^[6] Casual dress became more unisex and oft consisted of plaid push button downward shirts worn with slim blue jeans, comfortable slacks, or skirts. Traditionally, trousers had been viewed by western society as masculine, merely by the early 1960s, it had become acceptable for women to wear them every day. These included Levi Strauss jeans, which had previously been considered bluish collar wear, and "stretch" drainpipe jeans with elastane.^[7] Women's trousers came in a diverseness of styles: narrow, wide, beneath the knee, higher up the ankle, and eventually mid thigh. Mid-thigh cut trousers, as well known as shorts, evolved around 1969. By adapting men's style and wearing trousers, women voiced their equality to men.^[eight]

Mid 1960s (1963–1966) [edit]

Space Historic period fashions [edit]

Space historic period fashion first appeared in the belatedly 1950s, and developed further in the 1960s. It was heavily influenced by the Space Race of the Cold State of war, in add-on to pop science fiction paperbacks, films and television serial such every bit Star Trek: The Original Series, Dan Dare, or Lost In Space. Designers often emphasized the energy and technology advancements of the Cold War era in their work.^[9]

The space age look was defined by boxy shapes, thigh length hemlines and assuming accessories. Constructed textile was as well popular with space age fashion designers. Later on the Second World War, fabrics like nylon, corfam, orlon, terylene, lurex and spandex were promoted as inexpensive, like shooting fish in a barrel to dry out, and wrinkle-free. The synthetic fabrics of the 1960s immune space historic period fashion designers such every bit the late Pierre Cardin to design garments with bold shapes and a plastic texture.^[10] Not-cloth material, such as polyester and PVC, became pop in clothing and accessories every bit well. For daytime outerwear, short plastic raincoats, colourful swing coats, chimera dresses, helmet-like hats, and dyed imitation-furs were popular for young women.^[xi] In 1966, the Nehru jacket arrived on the fashion scene, and was worn by both sexes. Suits were very diverse in color but were, for the offset time e'er, fitted and very slim. Waistlines for women were left unmarked and hemlines were getting shorter and shorter.

Footwear for women included low-heeled sandals and kitten-heeled pumps, as well as the trendy white go-become boots. Shoes, boots, and handbags were often fabricated of patent leather or vinyl.^{[ commendation needed ]} The Beatles wore rubberband-sided boots like to Winkle-pickers with pointed toes and Cuban heels. These were known as "Beatle boots" and were widely copied by young men in Uk.

The French designer André Courrèges was particularly influential in the development of space historic period fashion. The "space wait" he introduced in the spring of 1964 included trouser suits, goggles, box-shaped dresses with high skirts, and become-go boots. Go-go boots somewhen became a staple of go-get girl fashion in the 1960s.^[12] The boots were divers past their fluorescent colors, shiny material, and sequins.^[13]

Other influential space age designers included Pierre Cardin, Paco Rabanne, Rudi Gernreich,^[14] Emanuel Ungaro, Jean-Marie Armand,^[15] and Diana Dew, though fifty-fifty designers similar Yves Saint Laurent^{[xvi] [17] [18] [nineteen]} showed the look during its peak of influence from 1963-1967.^{[20] [21]} Italian-born Pierre Cardin^[22] was best known for his helmets, short tunics, and goggles.^[22] Paco Rabanne was known for his 1966 "12 Unwearable Dresses in Contemporary Materials" collection,^[9] which fabricated use of concatenation mail, aluminum, and plastic.^[23]

A timeless fashion slice: miniskirt [edit]

High german girl wearing a mini-skirt in Greece, 1962.

Although designer Mary Quant is credited with introducing the miniskirt in 1964, André Courrèges also claimed credit for inventing the miniskirt. The mini-skirt inverse way forever.

The definition of a miniskirt is a skirt with a hemline that is generally between half-dozen and 7 inches above the knees. Early references to the miniskirt from the Wyoming paper The Billings Gazette, described the miniskirt equally a controversial item that was produced in United mexican states City.^{[ citation needed ]} During the 1950s, the mini-skirt began appearing in science fiction films similar Flight to Mars and Forbidden Planet ^[24]

Mary Quant and Andre Courreges both contributed to the invention of the miniskirt during the 1960s. Mary Quant, A British designer, was i of the pioneers of the mini-skirt during 1960. She named the skirt subsequently her favorite auto, the Mini Cooper. Quant introduced her design in the mid 1960s at her London boutique, Bazaar. She has said: " We wanted to increase the availability of fun for everyone. Nosotros felt that expensive things were nigh immoral and the New Await was totally irrelevant to united states." Miniskirts became popular in London and Paris and the term "Chelsea Look" was coined.^[25]

Andre Courreges was a French manner designer who also began experimenting with hemlines in the early 1960s. He started to bear witness space-age dresses that hit in a higher place the knee in late 1964. His designs were more than structured and sophisticated than Quant'south design.^{[ commendation needed ]} This made the miniskirt more adequate to the French public. His wearing apparel represented a couture version of the "Youthquake" street style and heralded the arrival of the "moon daughter" await.^[26]

As teen culture became stronger, the term "Youthquake" came to mean the power of immature people. This was unprecedented earlier the 1960s. Earlier World War II, teenagers dressed and acted like their parents. Many settled down and began raising families when they were young, normally correct after high school. They were often expected to work and assist their families financially. Therefore, youth culture begins to develop merely after World State of war Ii, when the advocacy of many technologies and stricter child labor laws became mainstream. Teenagers during this menses had more fourth dimension to bask their youth, and the freedom to create their own culture divide from their parents. Teens soon began establishing their ain identities and communities, with their ain views and ideas, breaking away from the traditions of their parents.^[27] The fabulous "little daughter" await was introduced to USA—styling with Bobbie Brooks, bows, patterned knee socks and mini skirts. The miniskirt and the "little girl" await that accompanied information technology reverberate a revolutionary shift in the fashion people clothes. Instead of younger generations dressing like adults, they became inspired by childlike dress.^[28]

2d-moving ridge feminism fabricated the mini-skirt pop. Women had entered the professional workforce in larger numbers during Globe State of war Two and many women soon found they craved a career and life outside the home.^[29] They wanted the same choices, freedoms, and opportunities that were offered to men.^[30]

During the mid 1960s, Mod girls wore very brusk miniskirts, tall, brightly colored go-go boots, monochromatic geometric print patterns such equally houndstooth, and tight fitted, sleeveless tunics. Flared trousers and bell bottoms appeared in 1964 as an alternative to capri pants, and led the fashion to the hippie menses introduced in the 1960s. Bell bottoms were unremarkably worn with chiffon blouses, polo-necked ribbed sweaters or tops that bared the midriff. These were made in a diversity of materials including heavy denims, silks, and even elasticated fabrics.^[31] Variations of polyester were worn along with acrylics.^[4] A popular await for women was the suede mini-skirt worn with a French polo-cervix elevation, square-toed boots, and Newsboy cap or beret. This style was too popular in the early 2000s.

Women were inspired past the top models of the twenty-four hour period which included Twiggy, Jean Shrimpton, Colleen Corby, Penelope Tree, and Veruschka. Velvet mini dresses with lace-collars and matching cuffs, wide tent dresses and culottes pushed aside the geometric shift. False eyelashes were in vogue, as was pale lipstick. Hemlines kept rise, and past 1968 they had reached well above mid-thigh. These were known equally "micro-minis". This was when the "angel wearing apparel" first made its appearance on the way scene. A micro-mini wearing apparel with a flared skirt and long, wide trumpet sleeves, it was usually worn with patterned tights, and was often made of crocheted lace, velvet, chiffon or sometimes cotton with a psychedelic print. The cowled-cervix "monk dress" was another religion-inspired culling; the cowl could be pulled up to be worn over the head. For evening wear, skimpy chiffon baby-doll dresses with spaghetti-straps were popular, likewise equally the "cocktail clothes", which was a close-fitting sheath, usually covered in lace with matching long sleeves.^[32] Feather boas were occasionally worn. Famous celebrities associated with marketing the miniskirt included: Twiggy; model Jean Shrimpton, who attended an result in the Melbourne Cup Funfair in Commonwealth of australia wearing a miniskirt in 1965; Goldie Hawn, who appeared on Rowan and Martin'southward Laugh-In with her mini brim in 1967; and Jackie Kennedy, who wore a short white pleated Valentino dress when she married Aristotle Onassis in 1968.

The Unmarried Girl [edit]

Author, Helen Gurley Brown, wrote Sex activity and the Single Girl in 1962. This book acted as a guide for women of whatsoever marital status to take control of their own lives financially also as emotionally.^[33] This book was revolutionary since it encouraged sex activity earlier marriage; something that was historically looked down upon. With the high success of this book, a pathway was set up for media to also encourage this behavior. Betty Friedan likewise wrote The Feminine Mystique the following twelvemonth, giving insight into the suburban female experience, further igniting women'south push for a more than independent lifestyle.^[34] The second-wave of feminism was getting its start during this period: pushing for a new feminine ideal to be capitalized on.

Fashion photography in the 1960s represented a new feminine ideal for women and young girls: the Single Girl. 1960s photography was in sharp contrast to the models of the 1920s, who were advisedly posed for the camera and portrayed equally immobile. The Unmarried Girl represented 'move'. She was young, single, active, and economically self-sufficient. To represent this new Single Girl feminine ideal, many 1960s photographers photographed models outside—often having them walk or run in fashion shoots. Models in the 1960s also promoted sports wear, which reflected the modernistic fascination with speed and the quickening pace of the 1960s urban life. Although the Single Girl was economically, socially and emotionally self-sufficient, the platonic trunk class was hard for many to achieve. Therefore, women were constrained past diet restrictions that seemed to contradict the image of the empowered 1960s Single Girl.^[35]

Manner photographers too photographed the Unmarried Daughter wearing concern wear, calling her the Working Girl. The Working Daughter motif represented another shift for the mod, stylish woman. Unlike before periods, characterized by formal evening gowns and the European wait, the 1960s Working Daughter popularized day wear and "working clothing". New set up to vesture lines replaced individualized formal couture fashion. The Working Daughter created an paradigm of a new, independent woman who has control over her trunk.^[35]

There was a new emphasis on ready-to-wear and personal style. Every bit the 1960s was an era of exponential innovation, there was appreciation for something new rather than that of quality.^[x] Spending a lot of money on an expensive, designer wardrobe was no longer the ideal and women from various statuses would be found shopping in the aforementioned stores.

The Single Girl was the true depiction of the societal and commercial obsession with the adolescent look.^[ten] Particular to the mid-sixties, icons such as Twiggy popularized the shapeless shift dresses emphasizing an image of innocence as they did non fit to any contours of the human torso. The female person body has forever been a sign of culturally constructed ideals.^[36] The long-limbed and pre-pubescent fashion of the fourth dimension depicts how women were able to be more than independent, nonetheless paradoxically, too were put into a box of conceived ideals.

Dolly Girl [edit]

The "Dolly Girl" was another archetype for young females in the 1960s. She emerged in the mid 1960s, and her defining characteristic is the iconic miniskirt. "Dolly Girls" besides sported long pilus, slightly teased, of course, and childish-looking clothing. Apparel were worn tight fitting, sometimes even purchased from a children's department. Dresses were often embellished with lace, ribbons, and other frills; the look was topped off with lite colored tights. Crocheted clothing likewise took off inside this specific style.^[37]

Corsets, seamed tights, and skirts roofing the knees were no longer fashionable. The thought of buying urbanized vesture that could exist worn with separate pieces was intriguing to women of this era. In the past, one would merely buy specific outfits for certain occasions.^[38]

Late 1960s (1967–1969) [edit]

The hippie subculture [edit]

Starting in 1967, youth civilisation began to alter musically and Mod culture shifted to a more laid back hippie or Maverick style. Hosiery manufacturers of the time like Mary Quant (who founded Pamela Mann Legwear) combined the "Bloom Power" style of dress and the Popular Fine art school of design to create fashion tights that would appeal to a female person audience that enjoyed psychedelia.^[39] Ponchos, moccasins, honey beads, peace signs, medallion necklaces, concatenation belts, polka dot-printed fabrics, and long, puffed "bubble" sleeves were popular fashions in the late 1960s. Both men and women wore frayed bong-bottomed jeans, tie-dyed shirts, work shirts, Jesus sandals, and headbands. Women would oft go barefoot and some went braless. The thought of multiculturalism also became very popular; a lot of style inspiration was drawn from traditional wearable in Nepal, India, Bali, Morocco and African countries. Because inspiration was existence fatigued from all over the world, there was increasing separation of style; clothing pieces often had similar elements and created similar silhouettes, but there was no real "uniform".^[twoscore]

Fringed buck-skin vests, flowing caftans, the "lounging" or "hostess" pajamas were also popular. "Hostess" pajamas consisted of a tunic top over floor-length culottes, usually made of polyester or chiffon. Long maxi coats, often belted and lined in sheepskin, appeared at the close of the decade. Animal prints were popular for women in the fall and winter of 1969. Women'southward shirts often had transparent sleeves. Psychedelic prints, hemp and the expect of "Woodstock" emerged during this era.^{[ commendation needed ]}

Indian fashion [edit]

Middle form Indian menswear followed postwar European trends, but nearly women continued to wear traditional dress such as the sari.

In general, urban Indian men imitated Western fashions such as the business suit. This was adapted to India's hot tropical climate as the Nehru suit, a garment frequently fabricated from khadi that typically had a mandarin collar and patch pockets. From the early 1950s until the mid 1960s, most Indian women maintained traditional dress such as the gagra choli, sari, and churidar. At the aforementioned time equally the hippies of the late 1960s were imitating Indian fashions, however, some way conscious Indian and Ceylonese women began to incorporate modernist Western trends.^[41] One particularly infamous fad combined the miniskirt with the traditional sari, prompting a moral panic where conservatives denounced the so-called "hipster sari"^[42] as indecent.

Feminist influences [edit]

During the late 1960s, there was a backlash by radical feminists in America against accouterments of what they perceived to be enforced femininity within the style industry. Instead, these activists wore androgynous and masculine clothing such as jeans, work boots or berets. Blackness feminists often wore afros in reaction to the pilus straighteners associated with middle class white women. At the 1968 feminist Miss America protest, protestors symbolically threw a number of feminine manner-related products into a "Liberty Trash Can," including false eyelashes, high-heeled shoes, curlers, hairspray, makeup, girdles, corsets, and bras^[43] which they termed "instruments of female torture".^[44]

Men's fashion [edit]

Early 1960s (1960–1962) [edit]

Business concern wear [edit]

During the early 1960s, slim fitting single breasted continental style suits and skinny ties were stylish in the UK and America. These suits, as worn past Sean Connery every bit James Bond, the Rat Pack's Frank Sinatra,^[45] and the bandage of Mad Men, were often made from grey flannel, mohair or sharkskin.^[46] Tuxedos were cutting in a like form plumbing equipment manner, with shawl collars and a single push button, and were bachelor either in the traditional blackness, or in vivid colors such as cerise or sky blue popularized by Frankie Valli of The Four Seasons. Men's hats, including the pork pie lid and Irish hat, had narrower brims than the homburgs and fedoras worn in the 1950s and earlier. During the mid 1960s, hats began to refuse^[47] after presidents John F. Kennedy and Lyndon B. Johnson appeared in public without ane.^[48]

Ivy League [edit]

Ivy League fashion, the precursor to the modern preppy look, was desirable casual wear for middle class adults in America during the early to mid 1960s. Typical outfits included polo shirts, harrington jackets, khaki chino pants, striped T-shirts, Argyle socks, seersucker or houndstooth sportcoats, sweater vests, cardigan sweaters, Nantucket Reds, basketweave loafers, Madras plaid shirts, and narrow brimmed Trilbys sometimes made from straw.^{[49] [fifty]} The way remained stylish for men over 21 until it was supplanted past more casual everyday clothing influenced by the hippie counterculture during the tardily 1960s and early on 1970s.^[51]

Mid 1960s (1963–1966) [edit]

Surf style [edit]

In America and Australia, surf rock went mainstream from 1962 to 1966, resulting in many teenage baby boomers imitating the outfits of groups like The Embankment Boys. Pendleton jackets were common due to their cheapness, warmth and durability. Blueprint wise the surf jacket suited popularly with nonchalance, warmth for coastal Californian climate, and utility pockets for surf wax and VW auto keys, two surf essentials (Pendleton Woolen Mills).^[52]

The Pendleton Surf Jacket expanded upon Fifties pop-cultural fashions, however new in its relaxed, intangibly cool vibe. The surf jacket dissever from the tough guy rock 'due north' ringlet teen, and mellowing leather's stone attitudes to woolen plaids. Following Rock n Coil's decline were rebels without causes, "Greasers" and "Beats"; dressed down in inappropriate daywear to denounce conformity, Sixties youth, inventors of Surf Fashion, expressed more nomadic and hedonically in this "dress down" style. Surf styles mainstreamed into way when Soul Surfers wanted to make livings in surfing-associated careers. They opened businesses that expanded selling surf products into selling surf clothing. These surfer entrepreneurs proliferate surf way by mixing their lifestyles into casual wear.^[53] As Rock n Scroll Beats, and Greaser car clubs used jackets to identify, and as 1950 varsity sports wore lettered cardigans, 1960s Surfies wore surf jackets to identify with surf clubs and as surfers (Retro 1960s Swimwear).^[54] Jackets worn as grouping status identifiers continued in the Sixties, but with focus around beach music and lifestyle.

As surfers banded over localism, plaid and striped surf jackets gained relevancy. Teens wore them to proclaim surf clubs; what beach they were from, and where they surfed. For a surfer though, information technology is curious why a woolen plaid jacket paired with UGG boots, and non the board-curt or aloha shirt identified the surfer. The Pendleton plaid, originally worn by loggers, hunters and fishermen, was a common particular of casual wearable for American men of all classes before the British invasion. For the youth of the 60s, nevertheless, the plaid Pendleton signified counterculture, and tribal seamen fashion translated from Welsh sociology, rebellious Scots Highlanders, and rugged American frontiersmen (Bowe).^[55]

The Sixties invented the Californian Cool manner, by relaxing style to escape Cold State of war meltdowns with Polynesian fascinations, bridging the macho 1950s teen towards 1960s Hippie style. The Cold War's tense political context conceived Surf Fashion every bit a mode to relax and escape established violence. California, the birthplace of American Surfing, also produced much of the engineering experimentations used in the nuclear space race. Caltech designers in Pasadena were designing nuclear arms for day jobs and were surfing at nighttime. The modern surfboard design itself originates from the military-industrial complex'south production development, where the Manhattan Project's Hugh Bradner also designed the modernistic neoprene wetsuit (Inside the Curlicue).^[56]

Californian engineers for the Common cold War were also surfing and equally technology that style. Just as the Bikini'due south name comes from a nuclear test site, Surf fashion in this era consistently references the Cold War context. Surfing became an attractive fashion identity in this era because it perpetuates boyhood, and the pursuit of pleasure in times of anxiety and paranoia. In a teenage-driven culture, which aimed to ignore establishment conflicts, surfers mused Hawaii and its associated tiki culture as a place of escape with tropical paradises every bit the antithesis to modern social club. This sustained Hawaiian flora and fauna patterns' in fashion its allure. The Sixties Surfer was non the first to escape violence or revolutionize the pursuit of happiness through Polynesian fascination. Accounts of Thomas Jefferson theorize that his exposure to the surfer prototype in Southward Pacific travel journals influenced his imagined Pursuit of Happiness (Martin D. Henry).^[57] Similarly, Hawaii'south surfer epitome and Californian translation responds to the decade'south violence and further inspired full-on irenic revolutionary Hippie fashions.

Additionally, as Californian water inspired lifestyles influenced fashion, many guys improvised their own faded jeans using chlorine from lawn swimming pools.^[58] Sneakers such every bit Converse All Stars made the transition from sportswear to streetwear, and guys in California and Hawaii began to grow out their hair.^[59]

Mod and British Invasion influences [edit]

The Mods were a British fashion phenomenon in the mid-1960s with their parkas, tailored Italian suits, and scooters.

The leaders of mid-1960s fashion were the British. The Mods (short for Modernists) adopted new fads that would be imitated by many young people. Mods formed their own way of life creating television shows and magazines that focused direct on the lifestyles of Mods.^[one] British rock bands such as The Who, The Small-scale Faces, the Beatles, and The Kinks emerged from the Mod subculture. It was not until 1964, when the Modernists were truly recognized by the public, that women really were accepted in the group. Women had short, clean haircuts and often dressed in similar styles to the male Mods.^[4]

The Mods' lifestyle and musical tastes were the exact contrary of their rival grouping, known equally the Rockers. The rockers liked 1950s rock-and ringlet, wore black leather jackets, greased, pompadour hairstyles, and rode motorbikes. The wait of the Mods was classy. They mimicked the article of clothing and hairstyles of loftier fashion designers in French republic and Italy, opting for tailored suits that were topped by anoraks. They rode on scooters, commonly Vespas or Lambrettas. Mod fashion was often described as the City Gent look. The young men^[sixty] incorporated striped boating blazers and bold prints into their wardrobe.^[61] Shirts were slim, with a necessary button down collar accompanied by slim fitted pants.^[4] Levi'due south were the only blazon of jeans worn by Modernists.

In the USSR during the mid to belatedly 1960s, Mods and Hippies were nicknamed Hairies for their mop acme hair.^[62] As with the earlier Stilyagi in the 1950s, young Russian men who dressed this way were ridiculed in the media, and sometimes forced to get their hair cut in police force stations.^[63]

Tardily 1960s (1967–1969) [edit]

Folk and counterculture influences [edit]

The belatedly 1960s to early 1970s witnessed the emergence of the hippie counterculture and freak scene in Uk, Commonwealth of australia, New Zealand and America. Middle form youths of both sexes favored a unisex await with long hair, tie dye and flower power motifs, Bob Dylan caps, kurtas, hemp waistcoats, baja jackets, bell bottoms, sheepskin vests, western shirts and ponchos inspired past acid Westerns, sandals, digger hats, and patches featuring flowers or peace symbols.^[64] Jimi Hendrix popularized the wearing of quondam military dress uniforms every bit a statement that war was obsolete.^[65] Early hippies, derisively referred to as freaks past the older generation, also used elements of roleplay such equally headbands, cloaks, frock coats, kaftans, corduroy pants, cowboy boots, and vintage clothing from charity shops, suggesting a romantic historical era, a distant region, or a gathering of characters from a fantasy or scientific discipline fiction novel.^[66]

Peacock Revolution [edit]

Past 1968, the space age mod fashions had been gradually replaced by Victorian, Edwardian and Belle Époque influenced style, with men wearing double-breasted suits of crushed velvet or striped patterns, brocade waistcoats and shirts with frilled collars. Their hair worn below the collar bone. Rolling Stones guitarist Brian Jones epitomised this "dandified" look. Due to the colorful nature of menswear, the time period was described as the Peacock Revolution, and male trendsetters in Britain and America were called "Dandies," "Dudes," or "Peacocks."^[67] From the belatedly 60s until the mid 70s Carnaby Street and Chelsea'southward Kings Route were virtual style parades, equally mainstream menswear took on psychedelic influences. Business concern suits were replaced by Bohemian Carnaby Street creations that included corduroy, velvet or brocade double breasted suits, frilly shirts, cravats, wide ties and trouser straps, leather boots, and fifty-fifty collarless Nehru jackets. The slim neckties of the early 60s were replaced with Kipper ties exceeding 5 inches in width, and featuring crazy prints, stripes and patterns.^[68]

Hairstyles of the 1960s [edit]

Women's hairstyles [edit]

Women's hair styles ranged from beehive hairdos in the early part of the decade to the very short styles popularized by Twiggy and Mia Farrow but five years after to a very long straight style as popularized by the hippies in the late 1960s. Between these extremes, the mentum-length contour cut and the pageboy were also popular. The pillbox hat was fashionable, due nigh entirely to the influence of Jacqueline Kennedy, who was a manner-setter throughout the decade. Her bouffant hairstyle, described as a "grown-up exaggeration of little girls' pilus", was created by Kenneth.^{[69] [70]}

During the mid and late 1960s, women's hair styles became very large and used a large quantity of hair spray, equally worn in existent life by Ronnie Spector and parodied in the musical Hairspray. Wigs became fashionable and were often worn to add style and elevation. The near of import change in hairstyles at this time was that men and women wore androgynous styles that resembled each other. In the U.k., information technology was the new fashion for mod women to cut their hair brusk and close to their heads.^[71] Meanwhile, hippie girls favored long, straight natural hair, kept in identify with a bandana.

Men's hairstyles [edit]

For professional men born before 1940, the side parted short back and sides was the norm in the United kingdom, Europe and America from the early 60s until the terminate of the decade. Blackness men usually buzzed their pilus short or wore styles like the conk, artificially straightened with chemicals. Blue collar white men, especially former war machine personnel, often wore buzzcuts and flat tops during the summertime. During the early to mid 60s, rebellious Irish-American, Italian-American and Hispanic teens influenced by the greaser subculture often wore ducktails, pompadours and quiffs.^{[ citation needed ]}

Due to the influence of mod bands like the Beatles or the Rolling Stones, mop-top hairstyles were well-nigh popular for white and Hispanic men during the mid 60s.^{[ citation needed ]} The mod haircut began as a short version around 1963 through 1964, developed into a longer fashion worn during 1965–66, and eventually evolved into an unkempt hippie version worn during the 1967–1969 period and into the early 1970s. Facial hair, evolving in its extremity from simply having longer sideburns, to mustaches and goatees, to total-grown beards became pop with young men from 1966 onwards.

Caput coverings changed dramatically towards the cease of the decade every bit men'southward hats went out of style, replaced by the bandanna, digger hat, Stetson, or Bob Dylan cap if anything at all. As men let their hair grow long, the Afro became the hairstyle of choice for African Americans.^{[ citation needed ]} This afro was non simply a fashion argument but also an emblem of racial pride. They started to believe that by allowing their hair to grow in its nature land without chemical treatments, they would be accepting their racial identities.^[72]

Paradigm gallery [edit]

A selection of images representing the mode trends of the 1960s:

• 

  First Lady Jacqueline Kennedy wearing a red wool dress with matching jacket. She was a fashion icon in the early 1960s.

• 

  Singer and actress Barbra Streisand in 1962 wearing a top with a crew-neck. Her pilus is teased at the crown.

• 

• 

  A velvet minidress from 1965.

• 

  American daughter wearing a mini skirt and patterned tights, 1966.

• 

  Fashion model from Leipzig, GDR wearing a wool conform trimmed with fur and a matching fur hat, 1966.

• 

  Immature woman wears her hair in a headband with flipped ends, 1967.

• 

  Woman at a Singapore zoo, 1967. Note her Pucci-style print wearing apparel.

• 

  The pop "dandified" male fashion in 1968.

• 

  In the late 1960s, brides often wore white mini wedding dresses.

See also [edit]

Style designers [edit]

• Barbara Hulanicki
• Rudi Gernreich
• Bill Gibb
• Guy Laroche
• Emilio Pucci
• Jean Muir
• Mary Quant
• Paco Rabanne
• Oscar de la Renta
• Yves Saint-Laurent (designer)
• Mila Schön

Style icons [edit]

• Marella Agnelli
• Anouk Aimée
• Brigitte Bardot
• Jane Birkin
• Amanda Brunt
• Pattie Boyd
• Claudia Cardinale
• Cher
• Consuelo Crespi
• Julie Christie
• Catherine Deneuve
• Farah Diba
• Faye Dunaway
• Jane Fonda
• Dolores Guinness
• Gloria Guinness
• Audrey Hepburn
• Jacqueline Kennedy
• Sophia Loren
• Babe Paley
• Lee Radziwill
• Vanessa Redgrave
• Jacqueline de Ribes
• Diana Ross
• Diana Rigg
• Edie Sedgwick
• Nancy Sinatra
• Queen Sirikit
• Sharon Tate
• Raquel Welch
• Steve Winwood
• Natalie Wood
• Stevie Wright
• Jayne Wrightsman
• Harry Vanda
• Gloria Vanderbilt

Supermodels [edit]

• Marisa Berenson
• Pattie Boyd
• Capucine
• Colleen Corby
• Cathee Dahmen
• Celia Hammond
• Lauren Hutton
• Donyale Luna
• Nico
• Jean Shrimpton
• Penelope Tree
• Twiggy
• Veruschka
• Agneta Frieberg

Fashion photographers [edit]

• Richard Avedon
• David Bailey
• Cecil Beaton
• Hiro (photographer)
• William Klein
• Patrick Lichfield
• Terry O'Neill
• Norman Parkinson
• Lord Snowdon
• Bert Stern

Teenage subcultures [edit]

• Greaser subculture
  • Rocker subculture
  • Raggare
  • Bodgies
• Modern subculture
• Soc subculture
• Youthquake
• Surfer
• Beatnik
• Hippie
• Rude Boy
• Skinhead
• Black Panthers

Other [edit]

• Carnaby Street
• Miniskirt
• Swinging London
• Twiggy
• Vogue
• Diana Vreeland

References [edit]

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4. ^ ^{a b c d} "Braggs, Steve, and Diane Harris. 60s Mods". Retrowow.co.britain. March ane, 2009.
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11. ^ Pierre Cardin
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15. ^ "Jean-Marie Armand". Couture Allure. 2011-03-08. Retrieved 2021-12-13 . His designs were very mod and architectural, much like those of Courreges and Cardin.
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20. ^ Howell, Georgina (1978). "1966". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 292. ISBN0-xiv-00-4955-X. Space projections...plastic, chrome, Dynel...everything silvery, from visor to stockings and shoes...[Y]ou wear argent leather and plastic chain mail, skirts that show the whole length of your legs, mops of artificial hair coloured pink, green and purple, chrome jewellery, and visor sunglasses....huge plastic disc earrings, silverish stockings, silver shoes laced upwardly the leg, bangles of clear plastic and chrome. Silver leather or shirred silver nylon make the new jackets...and centre make-up is designed to be seen from 100 yards, in streamlined eyeliners, blackness and white used alternately...
21. ^ Howell, Georgina (1978). "1967-68". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 296. ISBN0-fourteen-00-4955-X. 1967-68...marking[ed] the change in direction from futurist to romantic manner....[i]northward reaction to the uniformity of geometric haircuts and 'functional' style, stiff carved tweed shifts and creaking plastic...
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External links [edit]

• "1960s Style and Textiles drove". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Retrieved 2007-06-08 .
• "60s Fashion in the Round". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Archived from the original on 2007-xi-26. Retrieved 2007-12-09 .
• "1960s - 20th Century Fashion Drawing and Analogy". Fashion, Jewellery & Accessories. Victoria and Albert Museum. Archived from the original on 2011-07-14. Retrieved 2011-04-03 .
• "Swing Manner – Coats and Jackets". Swing Fashion. Style Ode. Archived from the original on 2015-01-12. Retrieved 2014-12-23 .
• Everyday Life in the 1960'southward - Expired Knowledge
• High School Letterman Jackets - Clothoo
• Summertime Style Tips - bbctimez

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